destaque

decupar, dissolver

crítica de “MONSTRO – tenho sonhado com homens”, criação e performance de Sofia Maruci com direção de Vicente Antunes Ramos

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destaque

gênese da (própria) violência

crítica de “Hétero Sigilo” (RJ), dramaturgia e performance de Bernardo Dugin e direção de João Fonseca.

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destaque

desrepresar

amilton de azevedo escreve sobre “ÒKUN: Cura Mar de Dentro”, do Grupo Identidade Oculta.

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english, teatro

the borders within

critical review of “Borders” (“Grenzen”) by Cat Smits Company (Netherlands). work presented during the 10th International Festival of Puppetry Schools PUPPETNOPUPPET (LALKANIELALKA) in Bialystok, Poland, on June 2022. this text is written by amilton de azevedo within the context of the Puppet Theater Criticism Workshop offered by the International Association of Theater Critics (IATC).

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por amilton de azevedo
english, teatro

the art of loving and destroying oneself

critical review of “Romance” (Romans) by Natalia Sakowicz (Poland). work presented during the 10th International Festival of Puppetry Schools PUPPETNOPUPPET (LALKANIELALKA) in Bialystok, Poland, on June 2022. this text is written by amilton de azevedo within the context of the Puppet Theater Criticism Workshop offered by the International Association of Theater Critics (IATC).

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por amilton de azevedo
english, teatro

the stage as a forest

critical review of “What grows in the park” (“Kto rośnie w parku) by students from Kyiv National Ivan Karpovich Karpenko-Kary Theatre, Cinema and Television University (Ukraine). work presented during the 10th International Festival of Puppetry Schools PUPPETNOPUPPET (LALKANIELALKA) in Bialystok, Poland, on June 2022. this text is written by amilton de azevedo within the context of the Puppet Theater Criticism Workshop offered by the International Association of Theater Critics (IATC).

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por amilton de azevedo
english, teatro

the stage as an ocean

critical review of Biba Fish (Ryba Biba) by Teatr Fraktal (Poland). work presented during the 10th International Festival of Puppetry Schools PUPPETNOPUPPET (LALKANIELALKA) in Bialystok, Poland, on June 2022. this text is written by amilton de azevedo within the context of the Puppet Theater Criticism Workshop offered by the International Association of Theater Critics (AITC).

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por amilton de azevedo
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