destaque

desrepresar

amilton de azevedo escreve sobre “ÒKUN: Cura Mar de Dentro”, do Grupo Identidade Oculta.

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destaque

o teatro como trabalho, o trabalho como teatro

amilton de azevedo escreve para Anacarsis Ramos, do Pornotrafico, criador de “Mi Madre y el Dinero” (México).

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destaque

da xepa

crítica de “Nitrido ou a dramaturgia de CAVALO”, do Cavalo Teatro, com direção e dramaturgia de Laís Cafari, apresentada na 7ª Mostra de Teatro Heliópolis.

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english, teatro

the stage as a forest

critical review of “What grows in the park” (“Kto rośnie w parku) by students from Kyiv National Ivan Karpovich Karpenko-Kary Theatre, Cinema and Television University (Ukraine). work presented during the 10th International Festival of Puppetry Schools PUPPETNOPUPPET (LALKANIELALKA) in Bialystok, Poland, on June 2022. this text is written by amilton de azevedo within the context of the Puppet Theater Criticism Workshop offered by the International Association of Theater Critics (IATC).

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por amilton de azevedo
english, teatro

the stage as an ocean

critical review of Biba Fish (Ryba Biba) by Teatr Fraktal (Poland). work presented during the 10th International Festival of Puppetry Schools PUPPETNOPUPPET (LALKANIELALKA) in Bialystok, Poland, on June 2022. this text is written by amilton de azevedo within the context of the Puppet Theater Criticism Workshop offered by the International Association of Theater Critics (AITC).

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por amilton de azevedo
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acervo