crítica de “fRuTaS&tRaNs-GRESSÃO. Histórias para Tangerinas e Cavalas-Marinhos”, da Coletiva Profanas, apresentada na Mostra Solo Mulheres do Teatro de Contêiner Mungunzá
leiacrítica de “Verdade”, do Tablado SP (antes, Tablado de Arruar)
leiacrítica de “O suicídio mais bonito do mundo”, de Mariana Nunes e direção de Fabiano Di Melo, apresentada na Mostra Solo Mulheres do Teatro de Contêiner Mungunzá.
leiacrítica de “O Gato Malhado e a Andorinha Sinhá”, da Cia. Novelo com realização do IBT – Instituto Brasileiro de Teatro
leiareflexão a partir dos solos “Aquele Trem” e “Selvageria: o nascimento do outro”, da Cia. DesaFRONTe (apresentados na Mostra Solo Mulheres do Teatro de Contêiner Munguzá), do filme “O acontecimento”, de Audrey Diwan (baseado no livro homônimo de Annie Ernaux) e do debate promovido pela revista CLAUDIA, editora Fósforo, Reserva Cultural e Livraria no Reserva no dia 12 de julho de 2022.
leiacrítica de “anonimATO”, ato-espetáculo musical de rua da Cia. Mungunzá de Teatro, com direção de Rogério Tarifa. este texto foi comissionado pela companhia.
leiacritical review of “Borders” (“Grenzen”) by Cat Smits Company (Netherlands). work presented during the 10th International Festival of Puppetry Schools PUPPETNOPUPPET (LALKANIELALKA) in Bialystok, Poland, on June 2022. this text is written by amilton de azevedo within the context of the Puppet Theater Criticism Workshop offered by the International Association of Theater Critics (IATC).
leiacritical review of “Romance” (Romans) by Natalia Sakowicz (Poland). work presented during the 10th International Festival of Puppetry Schools PUPPETNOPUPPET (LALKANIELALKA) in Bialystok, Poland, on June 2022. this text is written by amilton de azevedo within the context of the Puppet Theater Criticism Workshop offered by the International Association of Theater Critics (IATC).
leiacritical review of “What grows in the park” (“Kto rośnie w parku) by students from Kyiv National Ivan Karpovich Karpenko-Kary Theatre, Cinema and Television University (Ukraine). work presented during the 10th International Festival of Puppetry Schools PUPPETNOPUPPET (LALKANIELALKA) in Bialystok, Poland, on June 2022. this text is written by amilton de azevedo within the context of the Puppet Theater Criticism Workshop offered by the International Association of Theater Critics (IATC).
leiacritical review of Biba Fish (Ryba Biba) by Teatr Fraktal (Poland). work presented during the 10th International Festival of Puppetry Schools PUPPETNOPUPPET (LALKANIELALKA) in Bialystok, Poland, on June 2022. this text is written by amilton de azevedo within the context of the Puppet Theater Criticism Workshop offered by the International Association of Theater Critics (AITC).
leia
