destaque

social drama, Camp tragedy

amilton de azevedo writes about “Querelle de Roberval” (Canada), directed and adapted by Olivier Arteau from Kev Lambert’s romance, presented in the 2026 FTA.

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destaque

thesis of enwhitenment

amilton de azevedo writes about “A practise: Misinterpretation (a performance) XXL”, by REAL SWEAT, presented in the 2026 OFFTA.

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destaque

against endlessness

amilton de azevedo writes about “Vampyr”, by Manuela Infante (Chile), presented in the 2026 Festival TransAmériques (FTA – Tiohtià:ké/Montreal).

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english, teatro

the borders within

critical review of “Borders” (“Grenzen”) by Cat Smits Company (Netherlands). work presented during the 10th International Festival of Puppetry Schools PUPPETNOPUPPET (LALKANIELALKA) in Bialystok, Poland, on June 2022. this text is written by amilton de azevedo within the context of the Puppet Theater Criticism Workshop offered by the International Association of Theater Critics (IATC).

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por amilton de azevedo
english, teatro

the art of loving and destroying oneself

critical review of “Romance” (Romans) by Natalia Sakowicz (Poland). work presented during the 10th International Festival of Puppetry Schools PUPPETNOPUPPET (LALKANIELALKA) in Bialystok, Poland, on June 2022. this text is written by amilton de azevedo within the context of the Puppet Theater Criticism Workshop offered by the International Association of Theater Critics (IATC).

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por amilton de azevedo
english, teatro

the stage as a forest

critical review of “What grows in the park” (“Kto rośnie w parku) by students from Kyiv National Ivan Karpovich Karpenko-Kary Theatre, Cinema and Television University (Ukraine). work presented during the 10th International Festival of Puppetry Schools PUPPETNOPUPPET (LALKANIELALKA) in Bialystok, Poland, on June 2022. this text is written by amilton de azevedo within the context of the Puppet Theater Criticism Workshop offered by the International Association of Theater Critics (IATC).

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por amilton de azevedo
english, teatro

the stage as an ocean

critical review of Biba Fish (Ryba Biba) by Teatr Fraktal (Poland). work presented during the 10th International Festival of Puppetry Schools PUPPETNOPUPPET (LALKANIELALKA) in Bialystok, Poland, on June 2022. this text is written by amilton de azevedo within the context of the Puppet Theater Criticism Workshop offered by the International Association of Theater Critics (AITC).

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por amilton de azevedo
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