reflexão a partir dos solos “Aquele Trem” e “Selvageria: o nascimento do outro”, da Cia. DesaFRONTe (apresentados na Mostra Solo Mulheres do Teatro de Contêiner Munguzá), do filme “O acontecimento”, de Audrey Diwan (baseado no livro homônimo de Annie Ernaux) e do debate promovido pela revista CLAUDIA, editora Fósforo, Reserva Cultural e Livraria no Reserva no dia 12 de julho de 2022.
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crítica de “anonimATO”, ato-espetáculo musical de rua da Cia. Mungunzá de Teatro, com direção de Rogério Tarifa.
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critical review of “Borders” (“Grenzen”) by Cat Smits Company (Netherlands). work presented during the 10th International Festival of Puppetry Schools PUPPETNOPUPPET (LALKANIELALKA) in Bialystok, Poland, on June 2022. this text is written by amilton de azevedo within the context of the Puppet Theater Criticism Workshop offered by the International Association of Theater Critics (IATC).
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critical review of “Romance” (Romans) by Natalia Sakowicz (Poland). work presented during the 10th International Festival of Puppetry Schools PUPPETNOPUPPET (LALKANIELALKA) in Bialystok, Poland, on June 2022. this text is written by amilton de azevedo within the context of the Puppet Theater Criticism Workshop offered by the International Association of Theater Critics (IATC).
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critical review of “What grows in the park” (“Kto rośnie w parku) by students from Kyiv National Ivan Karpovich Karpenko-Kary Theatre, Cinema and Television University (Ukraine). work presented during the 10th International Festival of Puppetry Schools PUPPETNOPUPPET (LALKANIELALKA) in Bialystok, Poland, on June 2022. this text is written by amilton de azevedo within the context of the Puppet Theater Criticism Workshop offered by the International Association of Theater Critics (IATC).
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critical review of Biba Fish (Ryba Biba) by Teatr Fraktal (Poland). work presented during the 10th International Festival of Puppetry Schools PUPPETNOPUPPET (LALKANIELALKA) in Bialystok, Poland, on June 2022. this text is written by amilton de azevedo within the context of the Puppet Theater Criticism Workshop offered by the International Association of Theater Critics (AITC).
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relato sobre a experiência de assistir “Syn” (“The Son”), do Grupa Wolność (Polônia), no PUPPETNOPUPPET -International Festival of Puppetry Schools
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crítica a partir de “Mulher nenhuma cabe dentro de um apartamento”, do Grupo Claricena, apresentado no WhatsApp
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crítica de “A Cidade dos Rios Invisíveis”, do Coletivo Estopô Balaio
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relato a partir da experiência da “Parabólica dos Sonhos”, do 28 patas furiosas
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