amilton de azevedo writes about “Querelle de Roberval” (Canada), directed and adapted by Olivier Arteau from Kev Lambert’s romance, presented in the 2026 FTA.
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amilton de azevedo writes about “Extérieur/nuit”, by Le Théâtre indépendant, premiered in the 2025 Festival TransAmériques (FTA – Tiohtià:ké/Montreal).
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amilton de azevedo writes about “Catarina and the Beauty of Killing Fascists”, by Tiago Rodrigues, presented in the 2024 Festival TransAmériques (FTA – Montreal).
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amilton de azevedo writes about “Carte noire nommée désir”, by Rébecca Chaillon, presented in the 2024 Festival TransAmériques (FTA – Montreal).
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amilton de azevedo writes about “Nigamon/Tunai”, by Émilie Monnet and Waira Nina, presented in the 2024 Festival TransAmériques (FTA – Montreal).
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amilton de azevedo writes about “Eruption – The uprising is not over yet” (2022), by coletivA ocupação (São Paulo, Brazil). Originally posted in portuguese within the context of the archipelago project, with the support of Corpo Rastreado.
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amilton de azevedo writes about “Study nº 1: Death and Life” (2022), by Magiluth Group (Pernambuco, Brazil)
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amilton de azevedo writes about “APES” (2022), by Cia. do Sal (São Paulo, Brazil), monologue with Clayton Nascimento
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