destaque

uma sinfonia do estático

crítica de “O Retorno”, dramaturgia de Fredrik Brattberg com direção de José Roberto Jardim.

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destaque

uma cadeira vazia, um príncipe inacabado

crítica de “Hamlet, Sonhos que Virão”, da companhia Empório de Teatro Sortido.

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destaque

procurar, perder

amilton de azevedo escreve a partir de “Papaizinho,”, idealizado por Caio Scot; obra em diálogo com “Quem matou meu pai?” de Édouard Louis.

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english, teatro

the art of loving and destroying oneself

critical review of “Romance” (Romans) by Natalia Sakowicz (Poland). work presented during the 10th International Festival of Puppetry Schools PUPPETNOPUPPET (LALKANIELALKA) in Bialystok, Poland, on June 2022. this text is written by amilton de azevedo within the context of the Puppet Theater Criticism Workshop offered by the International Association of Theater Critics (IATC).

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english, teatro

the stage as a forest

critical review of “What grows in the park” (“Kto rośnie w parku) by students from Kyiv National Ivan Karpovich Karpenko-Kary Theatre, Cinema and Television University (Ukraine). work presented during the 10th International Festival of Puppetry Schools PUPPETNOPUPPET (LALKANIELALKA) in Bialystok, Poland, on June 2022. this text is written by amilton de azevedo within the context of the Puppet Theater Criticism Workshop offered by the International Association of Theater Critics (IATC).

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english, teatro

the stage as an ocean

critical review of Biba Fish (Ryba Biba) by Teatr Fraktal (Poland). work presented during the 10th International Festival of Puppetry Schools PUPPETNOPUPPET (LALKANIELALKA) in Bialystok, Poland, on June 2022. this text is written by amilton de azevedo within the context of the Puppet Theater Criticism Workshop offered by the International Association of Theater Critics (AITC).

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