amilton de azevedo writes about “Querelle de Roberval” (Canada), directed and adapted by Olivier Arteau from Kev Lambert’s romance, presented in the 2026 FTA.
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amilton de azevedo writes about “Carte noire nommée désir”, by Rébecca Chaillon, presented in the 2024 Festival TransAmériques (FTA – Montreal).
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amilton de azevedo writes about “Nigamon/Tunai”, by Émilie Monnet and Waira Nina, presented in the 2024 Festival TransAmériques (FTA – Montreal).
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amilton de azevedo writes about “Eruption – The uprising is not over yet” (2022), by coletivA ocupação (São Paulo, Brazil). Originally posted in portuguese within the context of the archipelago project, with the support of Corpo Rastreado.
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critical review of amilton de azevedo about Milo Rau’s “The Repetition: Histoire(s) du Théâtre (I)”, presented in MITsp 2019 (São Paulo/Brasil).
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critical review by amilton de azevedo about “Babylon Beyond Borders”, coproduced by Pequeno Ato (with Sesc São Paulo), Market Theatre Lab, Harlem Stage and Bush Theatre.
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