amilton de azevedo writes about “Seeing Double”, by Ghinwa Yassine (Lebanon/Canada), presented in the 2026 OFFTA (Tiohtià:ké/Montreal).
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amilton de azevedo writes about “Eruption – The uprising is not over yet” (2022), by coletivA ocupação (São Paulo, Brazil). Originally posted in portuguese within the context of the archipelago project, with the support of Corpo Rastreado.
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amilton de azevedo writes about “Study nº 1: Death and Life” (2022), by Magiluth Group (Pernambuco, Brazil)
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amilton de azevedo writes about “APES” (2022), by Cia. do Sal (São Paulo, Brazil), monologue with Clayton Nascimento
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critical review of amilton de azevedo about Milo Rau’s “The Repetition: Histoire(s) du Théâtre (I)”, presented in MITsp 2019 (São Paulo/Brasil).
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critical review by amilton de azevedo about “Babylon Beyond Borders”, coproduced by Pequeno Ato (with Sesc São Paulo), Market Theatre Lab, Harlem Stage and Bush Theatre.
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