amilton de azevedo writes about “Carte noire nommée désir”, by Rébecca Chaillon, presented in the 2024 Festival TransAmériques (FTA – Montreal).
leiaamilton de azevedo writes about “Nigamon/Tunai”, by Émilie Monnet and Waira Nina, presented in the 2024 Festival TransAmériques (FTA – Montreal).
leiacrítica a partir de “O vão entre o trem e a plataforma”, da Companhia dos Solilóquios. este texto faz parte do projeto arquipélago de fomento à crítica, com apoio da Corpo Rastreado.
leiaamilton de azevedo writes about “Eruption – The uprising is not over yet” (2022), by coletivA ocupação (São Paulo, Brazil). Originally posted in portuguese within the context of the archipelago project, with the support of Corpo Rastreado.
leiaamilton de azevedo writes about “Study nº 1: Death and Life” (2022), by Magiluth Group (Pernambuco, Brazil)
leiaamilton de azevedo writes about “APES” (2022), by Cia. do Sal (São Paulo, Brazil), monologue with Clayton Nascimento
leiaamilton de azevedo writes about “Desfazenda – Bury me out of this place” (2021), play-film by O Bonde (São Paulo, Brazil)
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